Research Article | Open Access
C. Marutoiu, S. P. Grapini, A. Baciu, M. Miclaus, V. C. Marutoiu, S. Dreve, I. Kacso, I. Bratu, "Scientific Investigations of a 16th Century Stall Belonging to the Evangelic Church in Bistriţa, Bistriţa-Năsăud County, Romania", Journal of Spectroscopy, vol. 2013, Article ID 957456, 5 pages, 2013. https://doi.org/10.1155/2013/957456
Scientific Investigations of a 16th Century Stall Belonging to the Evangelic Church in Bistriţa, Bistriţa-Năsăud County, Romania
The Evangelic Church in Bistriţa city is one of the important gothic monuments in Romania. Inside the church there have been preserved a series of furniture pieces from different centuries, and the stall that has been analysed in this study is one of them. The study presents the investigations that were made on the occasion of restoring the stall. The nature and the status of the wooden supports and also the composition of the painting layer which covers the front side of the stall were investigated by several methods: Fourier transform infrared (FTIR) spectroscopy, X-ray diffraction (XRD), and differential scanning calorimetry (DSC) analyses. The back side of the stall was made of spruce fir wood and its status was also investigated. The nature of the component elements and the heritage value of the ensemble were also established.
Located at the foot of the Bârgău Mountains, not far from the Bârgău Pass (Pasul Tihuţa in Romanian) which connects Transylvania region to the Bucovina one, the town of Bistriţa is one of the oldest around. The greatest attraction of Bistriţa is the Evangelical Church (see Figure 1) built by Transylvanian Saxons centuries ago.
The first mentioned parish in official documents was Johannis plebanus de Bystricia, noted in the papal tax registers of 1332-1333. The construction of the Gothic church with Renaissance elements (i.e., the pews) began in 1470 and was completed almost 100 years later by Petrus Italus de Lugano, who added renaissance elements to the structure.
The furniture was made at the beginning of the XVI century and it is the object of an exquisite craftsmanship. The two stalls, sculpted and decorated with marquetry details, as well as a seats’ bench that has a gothic inscription and Early Renaissance ornaments—piece made in 1516 by the monk Benedict of Beclean—were brought from the Dominican Monastery after its ruining during the Reform time. The bench of the hospital magister was the work of a craftsman named Anton, in 1508, and it was decorated in a manner that it can be found in Late Gothic geometry. Another valuable piece is the sacristy’s cabinet, dated, as the inscription says, from 1507. The door of the sacristy carries a true artistic value (with marquetry details, dated 1563) and the stall placed in the right side of the door—dated in back to 1564. Those pieces are added to many other dated back to the XVII and XVIII century, decorated with painted ornaments, inscriptions, and guild marks [1–3]. The analysis of the wood artifacts can be made through optical microscopy , microtomography with synchrotron radiations , and the identification of wood species by SEM . Unfortunately, in 2008 a fire ruined the steeple. The restoration works started in 2010.
The aim of this paper was to identify the employed materials (wood and pigments) in the Bistriţa Evangelic Church wooden stall. Because pigments based on copper carbonates exclude some procedures usually applied on painted surfaces, it becomes important to identify the nature of the pigments present in the painting covering the front side of the stall.
2. Materials and Methods
The lime and spruce fir wooden samples (collected from the wooden stall; see Figure 2 and recent ones collected from icon painting supports) were investigated with FTIR (JASCO 6100 in the 4000—400 cm−1 spectral domain with a resolution of 4 cm−1 using KBr pellet technique) and fluorescence (ABLE & JASCO FP 6500, 200–900 nm spectral domain and usual solid sample setup) spectrometers, DSC (DSC-60 Shimadzu calorimeter in the 20–550°C temperature range, with heating rate of 10°C/min in crimped aluminum sample cell, under nitrogen flow of 60 mL/min), and X-ray diffraction (Bruker D8 AVANCE) techniques. The pigments’ collected samples (Figures 3 and 4) were analyzed by FTIR spectroscopy using KBr pellet technique, as well. The diffraction data were collected in the 2θ = 3–85° angular domain with a Bruker D8 Advance diffractometer, using Cu Kα1 radiation (40 kV; 40 mA). In order to increase the resolution, a Ge 111 monochromator was used to eliminate the Kα2 radiation. Data collection was performed at room temperature with the programs package DIFFRAC plus XRD Commander. The amorphous/crystalline ratio was calculated by using Material Studio software.
3. Results and Discussion
3.1. FTIR Spectroscopy
Two types of wood—lime (front side of the stall) and spruce fir (back side of the stall)—were sampled, cleaned, grinded, and analyzed.
Lignin-to-cellulose (L/C) ratio was determined taking into account several definitions  for lignin and cellulose characteristic band intensities, respectively. The results are presented in Table 2.
As the result of the analysis of these spectra, several characteristics of these wooden samples were obtained.(1)The crystallinity degree of the wooden samples is lower for the historical woods as compared to the recent ones; probably for the historical wood the cellulose becomes more amorphous than that for the modern wood. (2)The lignin/cellulose ratio is higher for historical woods as compared to the recent ones.The degradation of wooden cellulose is more pronounced (the carbohydrates are firstly degraded by microorganisms) than that for wooden lignin (more slowly degraded) and is independently of the nature of the wood .
3.2. X-Ray Diffraction
Both crystalline and amorphous phases are present in the samples. The X-ray procedure for the crystallinity degree estimation is based upon measurement of the total X-ray scattering and of the crystalline phase. It was established that the crystallinity degree is lower for a historical wood as compared to the actual one. Also, the diffraction peak of the historical wood is shifted towards higher angle values, which means that the lattice constants are lower as compared to the actual wood’s values.
The diffraction peaks shifted to higher angles for both stall wood essences being compared with that of the new wood. This means that the elementary cell is diminished in time that can be explained by the fact that some of wood components, the volatile components are being diminished.
We have obtained 52.37% crystallinity for new lime wood compared to 49.61% crystallinity degree for stall lime wood.
It was established that the crystallinity degree is lower for a historical spruce fir wood as compared to the actual one (Figures 7 and 8). Also, the diffraction peak of the historical wood is shifted towards higher angle values which mean that the lattice constants are lower as compared to the actual spruce fir wood’s values. The historical spruce fir wood is more compact than the actual one. We have obtained also 48.54% crystallinity for new spruce fir wood compared with 46.75% crystallinity degree for stall spruce fir wood.
The spruce fire wood sample presents two exothermic signals in DSC curve (Figure 9), between 290 and 390°C (peak maxima at 345°C) and between 435 and 90°C (peak maximum at 473°C), assigned to cellulose, respectively, to the native lignin decomposition .The DSC curve of the stall spruce fir wood presents a shoulder around 300°C, an additional peak around 400°C, a broad cellulose peak shifted to 324°C, and a strong sharp peak with maximum at 463°C. The enlargement of the cellulose peak occurs due to the crystalline/amorphous transformation of the wood during the time, and the maximum is shifted due to the material degrading .
The strong peak at 463°C is probably due to the presence of oxalates, as a result of the wood-boring beetle and fungal attack.
3.4. Fluorescence Spectroscopy
Cellulose expresses its fluorescence in the 440–468 nm characteristic region for both old and new spruce fir wood and for lime samples, respectively, while lignin presents a much lower fluorescence for all samples, at an excitation of 375 nm (Figure 10).
The phenomenon is generated by the equally graduated degradation of wooden cellulose independently of the nature of the wood. The fluorescence is increasing with the period of degradation being specifically expressed for each kind of tested wood samples . In the same time, fluorescence of new spruce fir samples is more intense than the old spruce fir samples, a phenomenon that can be attributed to the presence of aromatic fluorescent volatile compounds in new wood sample, which decompose in time and do not appear in the old (stall) spruce fir sample.
3.5. Pigment Analysis
Figure 12 presents the spectra of the standard pigments and of the brown pigment used for wooden stall painting: brown pigment—Fe2O3.
Consequently, the pigments used in stall wood painting were identified as follows: (i)green-malachite,(ii)reddish brown—Fe2O3.The binder was identified as animal glue.
The employed techniques demonstrated the nature and the preservation state of the materials used for the Evangelic Church stall in Bistriţa.
The lime and spruce fir wood essences used for the front and back sides of the church stall present two characteristics:(i)their crystallinity decreases as compared to a modern wood sample; (ii)the fungal attack was identified especially for the spruce fir wood; (iii)fluorescence parameters depending of specificity and age of wooden samples can contribute for the artifacts’ identification through lignin and volatile aromatic compounds, while cellulose decomposes equally independently of the wood nature; (iv)the painting materials used for wooden stall were identified as binder (animal glue), reddish brown (iron oxide) and green (malachite).
This paper was presented in part at CMA4CH 2012, Rome, Italy, 27–30 May 2012.
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Copyright © 2013 C. Marutoiu et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.