Table of Contents
Laser Chemistry
Volume 2006, Article ID 90279, 9 pages
http://dx.doi.org/10.1155/2006/90279
Review Article

Laser Cleaning of Easel Paintings: An Overview

1Instituto de Soldadura e Qualidade, Porto Salvo 2740 120, Portugal
2Courtauld Institute of Art, London WC2R ORN, UK

Received 22 September 2006; Revised 30 November 2006; Accepted 30 November 2006

Academic Editor: Marta Castillejo

Copyright © 2006 Rui Bordalo et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Abstract

The application of laser cleaning to paintings is relatively recent despite its use on stone-based materials for over 30 years. The cleaning of paintings is of high importance, because it is the least reversible invasive intervention, as well as the most usual of all conservation treatments. Paintings are multilayer system of heterogeneous nature, often very sensitive and inherent difficult to clean. Being a noncontact method, laser cleaning has advantages compared to alternative techniques. Over the last decade, there have been important research studies and advances. However, they are far from sufficient to study the effects on painting materials and to establish the best parameters for each material under investigation. This paper presents a historical overview of the application of laser technology to the cleaning of paintings giving special emphasis on the research of the last decade. An overview of the current research into the interaction between the radiation and the different painting materials (varnish, pigments, and medium) is also given. The pigment's mechanisms of discoloration and the presence of media as a variable factor in the discoloration of pigments are discussed.