[Retracted] The Characteristics and Paths of the Dissemination of Intangible Cultural Heritage in the Form of Animation in the New Media Environment
Table 2
The combination of intangible cultural heritage culture and animation history.
1940s
“Princess Iron Fan”
Paper cutting, puppets, fine brushwork, ink painting, shadow play, etc.
From the 1960s to the end of the 1980s
“The Proud General” and “Havoc in Heaven”
For example, the classic image of Monkey King in “Havoc in Heaven“, its facial design absorbs the elements of Peking Opera masks, and the costumes incorporate tiger skin skirts, drill hats and other elements commonly seen in operas, and use the form of folk prints to outline the character as a whole. In “Nezha Nao Hai“, the shape of the Dragon King is inspired by folk paper-cuts and New Year pictures. The music in these animation works is also played with traditional musical instruments such as drums, cymbals, and suonas, reflecting the strong characteristics of traditional drama.
“Mud Flute”
“Little Tadpoles Looking for Mother”
“Nine Colored Deer”
“Landscape Love”
After the 21st century
“The Legend of Panhu”
At the beginning of production, it is consciously combined with intangible cultural heritage, which is a great progress, which can break through the shackles of inherent communication forms and attract the interest of young people.
