Research Article
An Effective Watermarking Method Based on Energy Averaging in Audio Signals
Table 4
The low BER illustrating the effectiveness of the watermarking method with error correcting code (ECC) under signal processing attack.
| Music Type | Classical piano music | Vocal music | Symphonic music | Pop music | Attack | Algorithm | w/o | w/cc | w/o | w/cc | w/o | w/cc | w/o | w/cc |
| MP3 compression (128 kbits/s) | 0.19 | 0.05 | 0.21 | 0.04 | 0.18 | 0.05 | 0.21 | 0.03 |
| Low-pass filter (4 kHz) | 0.06 | 0.06 | 0.22 | 0.21 | 0.09 | 0.08 | 0.26 | 0.26 |
| Time-scaling (preserve pitch) | 0.21 | 0.13 | 0.26 | 0.19 | 0.22 | 0.13 | 0.28 | 0.18 |
| Time-scaling (preserve tempo) | 0.13 | 0.07 | 0.18 | 0.12 | 0.14 | 0.07 | 0.17 | 0.11 |
| Time-scaling (preserve both) | 0.21 | 0.16 | 0.31 | 0.21 | 0.22 | 0.16 | 0.25 | 0.22 |
| Resampling (44.1 kHz to 22.05 kHz) | 0.12 | 0.06 | 0.04 | 0.02 | 0.13 | 0.07 | 0.05 | 0.03 |
| Resampling (44.1 kHz to 11.025 kHz) | 0.19 | 0.11 | 0.07 | 0.03 | 0.21 | 0.13 | 0.08 | 0.05 |
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w/o: audio watermarking with energy averaging only. w/cc: audio watermarking with energy averaging and ECC (cyclic code).
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