Research Article
[Retracted] Feasibility Analysis of Intelligent Piano in Piano Teaching
Table 2
Traditional piano solo teaching-take Chopin’s Ballade in G Minor as an example.
| Teaching time (week) | Class form | Teaching content | Teaching method | Student recognition | Teaching feedback | Studentcompletion |
| First | Traditional piano individual lessons | Creative | (1) The teacher plays the selected excerpts | Bad | The impression of the work is limited and forgotten quickly | 55% | Background | (2) Oral introduction of the creative background and the connotation of the repertoire |
| Second | Traditional piano individual lessons | Music analysis | (1) Form analysis | Bad | Inconvenient in instructional media | 55% | (2) Thematic analysis | (3) Harmonic gaps to familiarize students with |
| Third | Traditional piano individual lessons | Melody and rhythm | (1) Play the recorded manual error correction melody | Good | Novel teaching methods improved melody and rhythm problems | 80% | (2) Manual error correction rhythm | (3) Analyze the cause of the problem |
| Fourth | Traditional piano individual lessons | Emoticons | (1) Play the recording, | Generally | Constrains students’ imagination and expressiveness of music | 65% | (2) Add emoji to playing |
| Fifth | Traditional piano individual lessons | Performance skills | (1) Point out repertoire skills | Generally | Playing skills are less affected by preteaching | 70% | (2) Preliminary practice |
| Sixth | Traditional piano individual lessons | Performance skills | (1) Point out repertoire skills | Generally | Playing skills are less affected by preteaching | 70% | (2) Track summary |
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